Currently studying to complete a Bachelor of Music Composition at West Chester University, Melissa Dunphy has composed in a wide range of styles and mediums, particularly in the realm of theatre. She also contributes creatively to the electro-acoustic outfit Tears for Agnes. Her goal is also to score films and engage in other collaborative projects such as art exhibitions.
Upcoming projects include the setting of two poems for the Network for New Music 2008 Poetry Project, and a score of an excerpt of the Danish film Verdens Undergang for string quartet, chamber choir, and electronic instruments.
| 2007 | L'Homme Arme (French horn, clarinet, theremin, voice, cello and tape) |
| Dissociative Fugue (string trio) | |
| 2006 | The Frail Variations |
| Songs for Ophelia (solo voice), composed for Hamlet, produced by Gamut Theatre | |
| 2005 | Incidental music for The Glass Menagerie (solo violin and chimes), composed for Gamut Theater |
| 2004 | Incidental music for A Midsummer Night's Dream, (four voices, violin, saxophone, guitar, and piano) composed for Harrisburg Shakespeare Festival |
| 2000 | The Closer Madrigal, composed for University of New South Wales Med Revue |
| 1996 | She Walks in Beauty (six voices) |
| No, Brian! (three female voices, piano, violin) | |
| Leda and the Swan (two voices, oboe, piano) |